Digital Booklet - Beautiful: The Carole King Musical

ORIGINAL BROADWAY CAST RECORDINGPaul Blake Sony/ATV Music Publishing Jeffrey A. Sine Richard Smith Mike Bosner Harriet N. Leve/Elaine Krauss Terry Schnuck Orin Wolf Patty Baker/Good Productions Roger Faxon Larry Magid Kit Seidel Larry Toppall Fakston Productions/Mary Solomon William Court Cohen John Gore BarLor Productions Matthew C. Blank Tim Hogue Joel Hyatt Marianne Mills Michael Moritz, Jr. StylesFour Productions Brunish & Trinchero AND Jeremiah J. Harris preseNt bOOK by Douglas McGrath WOrDs AND MUsIC by Gerry Goffin & Carole King Barry Mann & Cynthia Weil MUsIC by ArrANGeMeNt WItH Sony/ATV Music Publishing stArrING Jessie Mueller Jake Epstein Anika Larsen Jarrod Spector Jeb Brown Liz Larsen Ashley Blanchet E. Clayton Cornelious Josh Davis Alysha Deslorieux Kevin Duda James Harkness Carly Hughes Sara King Rebecca LaChance Douglas Lyons Chris Peluso Gabrielle Reid Rashidra Scott Sara Sheperd Melvin Tunstall Alan Wiggins sCeNIC DesIGN COstUMe DesIGN lIGHtING DesIGN sOUND DesIGN Derek McLane Alejo Vietti Peter Kaczorowski Brian Ronan CAstING by WIG & HAIr DesIGN MAKe-Up DesIGN Stephen Kopel, CSA Charles G. LaPointe Joe Dulude II OrCHestrAtIONs, vOCAl AND MUsIC ArrANGeMeNts MUsIC sUpervIsION AND ADDItIONAl MUsIC ArrANGeMeNts Steve Sidwell Jason Howland prODUCtION stAGe MANAGer prODUCtION MANAGeMeNt Peter Hanson Juniper Street Productions, Inc. MUsIC COOrDINAtOr John Miller exeCUtIve prODUCers press represeNtAtIve GeNerAl MANAGer Sherry Kondor Christine Russell O&M Co. The Charlotte Wilcox Company CHOreOGrApHeD by Josh Prince DIreCteD by Marc Bruni The Righteous Brothers Janelle. Ensemble Carole King. TOP TEN HIT . Cynthia Weil. Backup Singers. Company The Drifters The Drifters Little Eva. Carole King Act 2 / THIS WEEK TITLE Act 1 THIS WEEK T R A c K S U. Ensemble Barry Mann.S. Ensemble Barry Mann “Uptown” Singer. Gerry Goffin. Ensemble Barry Mann. Don Kirshner Carole King.Artist 1 OVERTURE 2 SO FAR AWAY 3 1650 BROADWAY MEDLEY 4 IT MIGHT AS WELL RAIN UNTIL SEPTEMBER 5 SOME KIND OF WONDERFUL 6 HAPPY DAYS ARE HERE AGAIN 7 TAKE GOOD CARE OF MY BABY 8 WILL YOU LOVE ME TOMORROW 9 HE'S SURE THE BOY I LOVE 10 WILL YOU LOVE ME TOMORROW 11 UP ON THE ROOF 12 ON BROADWAY 13 THE LOCOMOTION 14 YOU'VE LOST THAT LOVIN' FEELING 15 ONE FINE DAY Carole King Ensemble Carole King Carole King. Barry Mann.S. Carole King Carole King Cynthia Weil. Bitter End Trio Carole King. Gerry Goffin. #1 HIT U. Cynthia Weil Marilyn Wald. Ensemble Carole King. Barry Mann The Shirelles TITLE / Artist 16 CHAINS 17 WALKING IN THE RAIN 18 PLEASANT VALLEY SUNDAY 19 WE GOTTA GET OUT OF THIS PLACE 20 UPTOWN 21 IT'S TOO LATE 22 YOU'VE GOT A FRIEND 23 (YOU MAKE ME FEEL LIKE) A NATURAL WOMAN 24 BEAUTIFUL 25 I FEEL THE EARTH MOVE Carole King. The Drifters Cynthia Weil Gerry Goffin. Bitter End Trio Carole King. ALYSHA CARLY HUGH DE SL OR IEUX. ONS – Bitter End Trio 4 . IGGINS – The Drifters ASHLEY BLAN CH ET . CORN ALYSHA DESL ELIOUS.CAST JESSIE MUELL ER – Carole King JAKE EPSTEI N – Gerry Go ffin ANIKA LARS EN – Cynthia Weil JARROD SPEC TOR – Barry Mann JEB BROWN – Don Kirshn er LIZ LARSEN – Genie King Ensemble – ASHLEY BLAN E. RASH IDRA D. NESS. MELVIN TU NSTALL. AL YS CARLY HUGH ES. OR IEUX. KEVIN JAMES HARK DUDA. SARA KI CH NG. ONS. RASHIDRA HA DESLORIEUX. ES – “One Fi ne Day” Back up Singers SARA KING – Marilyn Wald ALYSHA DESL ORIEUX – “U ptown” Sing er E. KEVIN DUDA – The Righte ous Brothers ASHLEY BLAN CHET. JAMES HARK ONS. CLAYTON CHET. DOUGLAS LY CHRIS PELU SO. JOSH DAVI DOUGLAS LY S. CLAYTON CO DOUGLAS LY RNELIOUS. ALAN W NESS. CLAYTON CORNELIOUS . SCOTT – The Shirelles RASHIDRA SC OTT – Janelle Woods ASHLEY BLAN CHET – Little Eva JOSH DAVIS. REBECCA LA CARLY HUGHES. JOSH DAVIS. ALAN SCOTT. SARA SHEPER GABRIELLE REID. WIGGINS CARLY HUGH ES – Lucille E. AN CE . 5 . EMILY BRUSKIN S. Keyboa D – Conductor JASON HOWLAN eds Re – RG BE EN DAVE RIEK DAVID MANN. DILLON KOND JOHN BENTHA ss Ba – ZEV KATZ N – Drums CLINT deGANO Percussion – JOE PASSARO oard Conductor. Flugel ANN – Trumpet/ TREVOR NEUM s Trombone as e/B on mb ARTON – Tro JENNIFER WH – OR Guitars L.ORCHESTRA rd /Piano. STEPHANIE CU NEUF – Cellos HA -P AN RM DO MAIRI 6 Jessie Mueller -YARBROUGH. RD ICA TR LISA MA lins UNA TONE – Vio . IN MM CU LIE NATA RMAN. Keyb te cia so As JEFF TANSKI – rd oa yb Ke – NICK CHENG S ADDITIONAL MUSICIAN MMINS. ANTOINE SILVE I. RICK DOLAN. Gerry Goffin. 7 . Paul said. and their fellow songwriters. her ex-husband and lyricist. asked me if I wanted to write a Broadway musical about Carole King. there was something I had to know before I could commit. constantly telling me things that might entice me. But audiences aren’t interested in characters without flaws—even Achilles had that tendon trouble. the old being ousted by the new? Carole and Barry and Cynthia were coming to New York to interview book writers. He reminded me that the songwriters had had their offices at 1650 Broadway. the producer of Beautiful. “They are.A From the Playwright by Douglas McGrath When Paul Blake. “Are they all alive?” I asked. I was so at ease. I told them my idea.” So I went and he was right. Carole’s face lit up. I knew I had nailed it. Cynthia Weil .” Actually. “Good news. (The Brill Building was down the street at 1619 Broadway.) These buildings had once been the province of the classic Barry Mann. Carole American songwriters of the Tin Pan Alley age and then in the 50’s became King the place where kids came to create rock and roll. Maybe there was something in that clash. that sounded like bad news. Paul kept after me.” Paul said. I had once worked on a screenplay about a real person whose vanity was so advanced that he would not let me portray him as anything less than thrillingly perfect. they were a lot of fun. Gerry Goffin. Barry Mann and Cynthia Weil. and I could feel as I told it that it was right: a musical about kids chasing out the old guard so they could create the new sound of rock and roll. one of the two buildings people mean when they refer to the legendary Brill Building sound. They’re a lot of fun. “Come meet them. She leaned forward to share her reaction. I stared at my giant notebook. you have to weed out a lot of the evitable. if they would have me. I interviewed the songwriters. fighting for the best artists to sing their songs. “We idolized Gershwin and Porter and Kern and Berlin. Carole King. separately. “I wanted to be Cole Porter. “is completely wrong!” “What?” I said. for many hours over many days. It was often fierce.“That.” she said.” she explained. vying for Don Kirshner’s attention. Gerry Goffin To do this. but the true story of these incredible people and how some of the greatest songs of the last century were created. packed with hundreds of pages of their stories. If you see the show. It’s one thing to be friends with old school chums but they were not school chums—they met as competitors in 1650 Broadway. 8 Don Kirshner. to get to the inevitable. Carole King. I asked them about everything in their lives—from birth on—because at the beginning I had no idea what the show should be. And I knew what kind of show I wanted to write: not a fictional creation like Mamma Mia which used an original story with the ABBA catalogue. Gerry Goffin . After the interviews. These people had been friends for more than 50 years. but when you are looking at four lives and some 70 years worth of memories. racing each other up and down the Billboard chart. But now I saw that they were something not all talented people are: they were interesting. almost losing my balance even though I was seated. As teenagers they changed the sound of popular music but they were traditionalists at heart—rock and rollers but classicists. “We studied their music—” Cynthia piped in. too. I had known only one thing about these songwriters: that they were talented. And it was not a casual competition— they once took a vacation together just to make sure the other couple wasn’t writing more than they were. One feeling hovered above everything: a feeling of friendship.” How surprising. I said I would write the show. it seems inevitable now that it starts with Carole on her way into Manhattan to sell her first song and that it ends at Carnegie Hall with her celebrated concert as a solo artist. Before the meeting. and they respected each other. even more than the hundreds of pages of notes. which started as a romance. even classic dynamic—competitors who loved each other. because the show is about life. “You know what’s so funny about life? Sometimes it goes the way you want and sometimes it doesn’t. They studied each other the way they studied Cole Porter and Irving Berlin. finally settling into a forgiving and affectionate friendship. Jarrod Spector. Carole says. That sense of friendship pervaded even Carole and Gerry’s relationship. I would not write a scene and then plop a song into it. a feeling I suspect they do not have about other singers they may adore. So I began to see the story—it would be about music and friendship and love. Jessie Mueller.And yet. too. The theme of the show itself comes from a song. but it would have hope in it. Because their music is so good. it’ll be good wherever you put it. There would be heartache in it. I wanted to place the songs in a way that gave them their full emotional impact. Early on. Even her breakup songs are tinged with understanding. They see themselves in her. I had to write the scene knowing which song it was going to be about. Anika Larsen. Many of her listeners feel she is their friend. if it’s a good song. That sense of kindness infuses much of Carole’s music. these four great artists. you find something beautiful. If a song didn’t work. and I would rewrite it until the song felt as though it were written just for that scene. But that is not the case. it was because the scene didn’t work. moved into and then out of marriage. is the greatest guide to the thinking and feelings of the four songwriters. This was harder that it might seem. They loved each other.” 9 . they really did. That was an interesting. You figure. The show had to mirror that. compassion and warmth. which. Jake Epstein Everything came out of the music. Her music is marked by forgiveness. And sometimes when it doesn’t. Jesssie ie Mueller At 1650 Broadway. Carole King At Queen’s College.Synopsis ACT ONE At Carnegie Hall in 1971. . It gives her an extra depth of feeling when she sings their new song for Donnie. she hears the 1650 BROADWAY MEDLEY. Then we go to Brooklyn where 16 year-old Carole tells her mother. They agree to collaborate. Gerry and Carole sing their new song TAKE GOOD CARE OF MY BABY. Carole goes anyway. which in both cases turns out to be a fertile arrangement. Carole King / Courtesy of Sony Music 10 Archives They get an office at 1650. While there. SOME KIND OF WONDERFUL which the Drifters then record. Barry meets Cynthia and they decide to collaborate. When they go to Donnie’s to play their new song. In the long tradition of mothers. Carole meets a new lyricist Cynthia Weil (HAPPY DAYS ARE HERE AGAIN) who is looking for a composer to work with.. sparks fly. during which Barry Mann. Genie is opposed to her daughter’s wish and in the equally long tradition of teenagers not caring about their mother’s opposition. the composer with the office next door. Gerry asks her to marry him. she is going into Manhattan to try and sell a song to Donnie Kirshner. She then sings her new song IT MIGHT AS WELL RAIN UNTIL SEPTEMBER. Carole confesses to Gerry that she is pregnant. Donnie says he will take it and hopes she has others. Carole sings SO FAR AWAY. musically and romantically. Genie. As they begin to work. Carole meets a handsome young lyricist named Gerry Goffin. enters. asks Carole to come sing at the Bitter End sometime but she declines—she’s a songwriter. In Donnie’s office the next morning. he tells Carole he will end the affair with Janelle and that he wants to come home. a competition is born. As the song begins again. a guitarist. During a break. and he doesn’t want to lie about it. 11 . WALKING IN THE RAIN. we hear PLEASANT VALLEY SUNDAY. THE LOCOMOTION and YOU’VE LOST THAT LOVIN’ FEELING. And so. Carole decides to tell Gerry he has to end the affair with Janelle. on either side of the same wall. Cynthia Weil. not a singer.Donnie tells them he needs a song for the Shirelles. The thing with Gerry is getting her down so she goes and talks to Cynthia who is also having trouble with Barry—they split up. With that. The two teams turn out an amazing parade of songs: UP ON THE ROOF. ACT TWO Carole is in a recording studio doing a demo of CHAINS. He and Cynthia make up and play their new song. Nick. ON BROADWAY. Carole is stunned. Gerry is off with Janelle but tells her he will meet her later. Barry Mann Jarrod Spector. Anika Larsen Gerry shows up but he is not making sense. At the hospital. Donnie picks Carole and Gerry’s song for the Shirelles and it goes to Number One. He wants to sleep with Janelle. Gerry and Carole are at the taping of a TV special where their new song ONE FINE DAY is being performed by the dazzling Janelle Woods. Cynthia and Barry perform HE’S SURE THE BOY I LOVE. Carole and Gerry present WILL YOU LOVE ME TOMORROW. The couples compete for the job. He eventually has a breakdown. Gerry confesses to Carole that he is restless in their marriage. She suggests they make a new start and move to the suburbs. she takes it over and sings it herself. As she leaves Barry comes in. Carole explains she went to LA for a vacation and has started writing on her own. she records her album. Then with all the joy inside her. ℗2014 Photographer: Jim McCrary 12 Carole King Carole comes onto the stage of Carnegie Hall alone. there is a knock Cynthia Weil. At the Bitter End. it comes out that Barry and Cynthia have seen him with another woman.Barry. Gerry leaves in a funk for the city. She sings (YOU MAKE ME FEEL LIKE) A NATURAL WOMAN. In LA. Carole goes to Marilyn’s apartment and Gerry is there. Carole King at her dressing room door. when the cast and audience sing I FEEL THE EARTH MOVE. except at the end of the curtain call. She sits at the piano. It’s the final straw. Barry Mann. It’s a song she wrote with Gerry and she is afraid of the feelings it may stir up. persuades her. where Barry and Cynthia hear their song UPTOWN. she sings BEAUTIFUL. a singer named Marilyn Wald. Barry plays their new song. And that’s the end. Carole is at Carnegie Hall for a concert. Her producer. She decides to move to L. It’s Gerry. At 1650. Before the show starts. With a full heart he wishes her well. The album is a smash. Nick. WE GOTTA GET OUT OF THIS PLACE. The session goes well until the last song which she is afraid to sing. Lou Adler. While he is gone. . She ends their marriage. the guitarist from the studio who asked her to sing with his group is playing there and urges her to sing. she says goodbye to Donnie and Barry and Cynthia and plays them a parting present. IT’S TOO LATE. Depressed that he and Carole can’t do as well. YOU’VE GOT A FRIEND. He has brought her a good luck present but has something even more valuable: an apology for all the ways he hurt her. Tapestry.A. She sings her new song. Cynthia and Donnie come to see the new house. Carole King / Courtesy of the Ode Sounds & Visuals Archive ©1971. 1650 BROADWAY MEDLEY DOWN THE LINE THERE GOES MY BABY.. I KNOW THAT YOU’RE THE ONE TO BLAME. 1. MOVIN’ ON DOWN THE LINE OR YOU DON’T GET NO SPENDING CASH OOH. SHOO-BE-DO-WOP BABY. Two Men Inc. (BMI).. (BMI)... YAKITY YAK! (BMI) and Universal/BMG (BMI). TAKE OUT THE PAPERS AND THE TRASH “Love Potion #9” by Jerry Leiber and Mike Stoller.. Voice 3 POISON IVY. SO FAR AWAY “So Far Away” by Carole King. POISON IVY LATE AT NIGHT WHILE YOU’RE SLEEPING STUPID CUPID YOU’RE A REAL MEAN GUY. I ‘LONG ABOUT A SATURDAY NIGHT CLOSED MY EYES RUB DUB JUST RELAXING IN THE TUB THINKIN’ EV’RY THING WAS ALRIGHT I TOOK A DRINK! WHOA! Voice 2 Ensemble WELL I TOOK MY TROUBLES DOWN TO MADAME RUE YOU KNOW THAT GYPSY WITH THE GOLD CAPPED TOOTH SHE’S GOT A PAD DOWN ON THIRTY-FOURTH AND VINE SELLIN’ LITTLE BOTTLES OF. THAT OH OH OH OH OH SLOW BACK BEAT TO COOL YA OH OH OH OH OH OH OH HEY NOW GO PLAY ROBIN HOOD WITH OH OH OH OH OH OH OH SOMEBODY ELSE’S OH OH OH OH OH OH DA-DADA-DA I HELD MY NOSE. WONDER WHERE SHOOP! “There Goes My Baby” by Jerry Leiber. YAKITY YAK “Stupid Cupid” by Neil Sedaka and Howard Greenfield. (ASCAP) Carole SO FAR AWAY DOESN’T ANYBODY STAY IN ONE PLACE ANYMORE? IT WOULD BE SO FINE TO SEE YOUR FACE AT MY DOOR IT DOESN’T HELP TO KNOW THAT YOU’RE JUST TIME AWAY LONG AGO I REACHED FOR YOU AND THERE YOU STOOD HOLDING YOU AGAIN COULD ONLY DO ME GOOD HOW I WISH I COULD BUT YOU’RE SO FAR AWAY ONE MORE SONG ABOUT MOVIN’ ALONG THE HIGHWAY I CAN’T SAY MUCH OF ANYTHING THAT’S NEW BUT IF I COULD ONLY WORK THIS LIFE OUT MY WAY I’D RATHER SPEND IT BEIN’ CLOSE TO YOU BUT YOU’RE SO FAR AWAY 3. EMI Unart Catalog Inc. LOVE POTION #9 I BROKE HER HEART SPLISHING AND A SPLASHING. WE WAS A REELING WITH THE FEELING TAKE OUT THE PAPERS AND THE TRASH I GO APE EV’RY TIME I SEE YOU SMILE! I’M A DING DONG GORILLA AND I’LL WHY DO THEY FALL IN LOVE BA-DA BA-DA POISON IVY COMES A CREEPIN’ AROUND BA-DA BA-DA I’M IN LOVE AND IT’S A CRYING SHAME AND OOH.“Poison Ivy” by Jerry Leiber and Mike Stoller. OVERTURE 2. I’D LIKE TO CLIP YOUR WINGS SO YOU CAN’T FLY LOVE POTION #9.. THE BEAT’LL MAKE YOU JUMPY AND BOOZE’LL MAKE YOU LUMPY “Why Do Fools Fall In Love” by Morris Levy YOU MIXED ME UP FOR GOOD SHE SAID! and Frankie Lymon. Sony/ATV Tunes LLC (ASCAP).. George Treadwell and STUPID CUPID STOP PICKIN’ ON ME Lover Patterson. Colgems-EMI Music Inc. (BMI) and Alley Music Corp. Screen Gems-EMI Music Inc. BYE BYE HAPPINESS Ensemble THAT RHYTHM’S GONNA FOOL YA. Ben King. SHOO-BE-DO-WOP. SHOO-BE-DO-WOP 13 Ensemble . BYE BYE LOVE (BMI) and EMI Longitude Music (BMI). Mike WONDER WHERE. “Yakkety Yak” by Jerry Leiber and Mike Stoller. SHE SAID ‘I’M GONNA MIX IT UP RIGHT HERE IN “I Go Ape” by Neil Sedaka and Howard THE SINK Greenfield. Sony/ATV Tunes LLC (ASCAP). Screen Gems-EMI Music Inc.. EMI Longitude Music DA-DA DA-DA SHE SAID! (BMI) and EMI Full Keel Music (ASCAP). Sony/ATV Tunes LLC (ASCAP). I CLOSED MY EYES Voice 1 THERE GOES MY BABY DA-DA SPLISH SPLASH I WAS TAKING A BATH DA-DADA-DA I HELD MY NOSE. Trio Music Co. WHY DO BIRDS SING SO GAY AND LOVERS AWAIT THE BREAK OF DAY IVY. POISON IVY LATE AT NIGHT WHILE YOU’RE SLEEPIN’ POISON IVY COMES A CREEPIN’ AROUND BAH OO! BAH OO! BA-BAH BA-BAH BA-BAH Voice 2 LOVE POTION #9 “Splish Splash” by Bobby Darin and Jean Murray. WONDER WHERE Stoller. YAKITY YAK. Sony/ATV Songs LLC (BMI). .. 4. WHILE! AH. STUPID CUPID STOP PICKIN’ ON ME AH.... Bloop.. bloop..BYE-BYE! I STEPPED OUT THE TUB. Bloop.BYE-BYE! BAH DO! BAH DO! BAH DO! WHOA (3x) LOVE POTION #9 AH. Jeb Brown . Bloop. Bloop.... every other note-I’M ONLY LIVING FOR THE DAY YOU’RE HOME TO STAY SO IT MIGHT AS WELL RAIN UNTIL SEPTEMBER! Bloop.BYE-BYE! Screen Gems-EMI Music Inc.. Bloop.LOVE POTION #9 LOVE POTION #9 BA-DA BA-DA NO MORE! BAH DO! BAH DO! WHOA YAKITY YAK! AND MAKE HER CRY BA-DA BA-DA BAH DO! I’M A DING DONG GORILLA ROLLING AND A STROLLING SPLISH SPLASH AND I’LL CARRY YOU CAVE MAN. Bloop.BYE-BYE! THERE GOES MY BABY MOVIN’ ON DOWN THE SPLISH SPLASH I JUMP BACK IN THE LINE BATH AH..BYE-BYE! BAH DO! LOVE POTION #9 WHOA THERE GOES MY BABY AH.. bloop. backup girls would come in there and harmonize-- 14 Rebecca LaChance. Jessie Mueller (DONNIE shows no emotion) MY FRIENDS LOOK FORWARD TO THEIR PICNICS ON THE BEACH YES EVERYBODY LOVES THE SUMMERTIME! BUT YOU KNOW. Lucille IF YOU DON’T SCRUB THAT KITCHEN DON’T CALL BACK! FLOOR YOU AIN’T GONNA ROCK-N-ROLL WHY DO FOOLS FALL IN LOVE BYE-BYE! CARRY YOU CAVE MAN STYLE I’M POISON IVY BYE-BYE! GONNA BUMP YOU ON THE HEAD AND...Bloop. AND PUT MY FEET ON YAKITY YAK AH.BYE-BYE! “It Might As Well Rain Until September” by THE FLOOR.. bloop. I PUT A TOWEL AROUND ME GONNA LOVE YOU ALL THE Gerry Goffin and Carole King.. WHILE YOUR ARMS ARE OUT OF REACH THE SUMMER ISN’T ANY FRIEND OF MINE IT DOESN’T MATTER WHETHER SKIES ARE GRAY OR BLUE-There should be strings here like raindrops falling-IT’S RAINING IN MY HEART CAUSE I CAN’T BE WITH YOU-Bloop. Bloop.. (BMI). DARLING.. IT MIGHT AS WELL RAIN UNTIL SEPTEMBER Carole WHAT SHOULD I WRITE? WHAT CAN I SAY? HOW CAN I TELL YOU HOW MUCH I MISS YOU? THE WEATHER HERE HAS BEEN AS NICE AS IT CAN BE ALTHOUGH IT DOESN’T REALLY MATTER MUCH TO ME FOR ALL THE FUN I’LL HAVE WHILE YOU’RE SO FAR AWAY IT MIGHT AS WELL RAIN UNTIL SEPTEMBER Ooh. ...WONDERFUL AHH...TENDERNESS THERE’S SO MUCH I WANT TO SAY WONDERFUL... EMI Robbins Catalog Inc..Jessie Mueller.....WONDERFUL .WONDERFUL I KNOW I CAN’T EXPRESS I KNOW I CAN’T EXPRESS THIS FEELING OF TENDERNESS WONDERFUL...SO WONDERFUL Lead Drifter 15 .WONDERFUL WONDERFUL...COME MY WAY THAT’S SOME KIND OF WONDERFUL! WONDERFUL WONDERFUL WONDERFUL WONDERFUL WONDERFUL THAT’S SOME KIND OF WONDERFUL! THAT’S SOME KIND OF WONDERFUL! 6. Screen Gems-EMI Music Inc. MY HAND ....WANT TO SAY BUT THE WORDS DON’T COME MY WAY AHH.WONDERFUL SOME KIND OF WONDERFUL ....WONDERFUL TO SHOW ME THAT YOU UNDERSTAND I JUST KNOW WHEN I’M IN YOUR EMBRACE Cynthia .YOUR EMBRACE I’D LIKE TO SAY A THING OR TWO ABOUT THIS AND SOMETHING HAPPENS TO ME THIS WORLD IS A HAPPY PLACE SONG I SING FOR YOU . (BMI). Carole ALL YOU HAVE TO DO IS TOUCH MY HAND TO SHOW ME YOU UNDERSTAND AND SOMETHING HAPPENS TO ME THAT’S SOME KIND OF WONDERFUL ANY TIME MY LITTLE WORLD IS BLUE I JUST HAVE TO LOOK AT YOU-AND EVERYTHING SEEMS TO BE SOME KIND OF WONDERFUL.. Gerry I KNOW I CAN’T EXPRESS THIS FEELING OF TENDERNESS THERE’S SO MUCH I WANT TO SAY Carole BUT THE RIGHT WORDS JUST DON’T COME MY WAY-- Both I JUST KNOW WHEN I’M IN YOUR EMBRACE THIS WORLD IS A HAPPY PLACE AND SOMETHING HAPPENS TO ME-THAT’S SOME KIND OF WONDERFUL Donnie Now that’s a song! You guys can finally get your office here because you know who I’m gonna give that to? The Drifters! The Drifters WONDERFUL WONDERFUL WONDERFUL ANY TIME MY LITTLE WORLD IS BLUE WONDERFUL. Jake Epstein 5.HAPPY PLACE THESE ARE NOT THE WORDS YOU THOUGHT YOU THAT’S SOME KIND OF WONDERFUL AND SOMETHING HAPPENS TO ME-KNEW ...WONDERFUL I JUST HAVE TO LOOK AT YOU-WONDERFUL..WONDERFUL AND EVERYTHING SEEMS TO BE WONDERFUL. SOME KIND OF WONDERFUL “Some Kind of Wonderful” by Gerry Goffin and Carole King. (ASCAP). HAPPY DAYS ARE HERE AGAIN “Happy Days Are Here Again” by Milton Three Drifters Ager and Jack Yellen. Special lyrics by Douglas ALL YOU HAVE TO DO IS TOUCH McGrath and Cynthia Weil... TAKE GOOD CARE OF MY BABY “Take Good Care of My Baby” by Gerry Goffin and Carole King.(to) HAPPY DAYS ARE HERE AGAIN Gerry & Carole BUT HE SURE AIN’T THE WAY I THOUGHT HE’D BE THERE’S A REASON FOR THE SWITCH. RICH AND STRONG NOW THAT BOY I LOVE HAS COME TO ME. HE’LL NEVER BE A BIG BUSINESS MAN HE ALWAYS BUYS ON THE INSTALLMENT PLAN HE SURE AIN’T THE BOY I’VE BEEN DREAMIN’ OF BUT HE’S SURE THE BOY I LOVE WHEN HE HOLDS ME TIGHT. Screen Gems-EMI Music Inc. HE’S SURE THE BOY I LOVE “He’s Sure the Boy I Love” by Barry Mann and Cynthia Weil. Cynthia I ALWAYS DREAMED THE BOY I LOVED WOULD COME ALONG AND HE’D BE TALL AND HANDSOME. (BMI). AND I FORGET ALL OF MY DREAMS. I’LL GET RIGHT ON IT I LIKE A GOOD RHYME MORE THAN A GOOD TIME! MY PEN’S ON FIRE AND I’M FOR HIRE DONNIE. EVERYTHING’S RIGHT CRAZY AS IT SEEMS. Gerry MY TEARS ARE FALLING CAUSE YOU’VE TAKEN HER AWAY AND THOUGH IT REALLY HURTS ME SO THERE’S SOMETHING THAT I GOTTA SAY TAKE GOOD CARE OF MY BABY PLEASE DON’T EVER MAKE HER BLUE JUST TELL HER THAT YOU LOVE HER MAKE SURE YOU’RE THINKING OF HER IN EVERYTHING YOU SAY AND DO-- Gerry & Carole TAKE GOOD CARE OF MY BABY NOW DON’T YOU EVER MAKE HER CRY JUST LET YOUR LOVE SURROUND HER PAINT A RAINBOW ALL AROUND HER DON’T LET HER SEE A CLOUDY SKY Gerry ONCE UPON A TIME THAT LITTLE GIRL WAS MINE IF I HAD BEEN TRUE. Screen Gems-EMI Music Inc. (BMI). I’M MAKING A CREATIVE PITCH WITH THE WORDS I WROTE WITHOUT A HITCH (to) HAPPY DAYS ARE HERE AGAIN TAKE GOOD CARE OF MY BABY BE JUST AS KIND AS YOU CAN BE AND IF YOU SHOULD DISCOVER THAT YOU DON’T REALLY LOVE HER JUST SEND MY BABY BACK HOME TO ME! HE DOESN’T LOOK LIKE A MOVIE STAR HE DOESN’T DRIVE A CADILLAC CAR HE SURE AIN’T THE BOY I’VE BEEN DREAMIN’ OF BUT HE’S SURE THE BOY I LOVE I CAME TO SHOW YOU MY STYLE. Screen Gems-EMI Music Inc. I KNOW SHE’D NEVER BE WITH YOU SO-- 16 8. EVERYBODY KNOWS HE DOESN’T HANG DIAMONDS ROUND MY NECK AND ALL HE’S GOT’S AN UNEMPLOYMENT CHECK HE SURE AIN’T THE BOY I’VE BEEN DREAMIN’ OF BUT HE’S SURE THE BOY I LOVE (WHOA-OH-OH) HE’S SURE THE BOY I LOVE (YEAH-EH-EH) HE’S SURE THE BOY I LOVE! . LET ME WRITE FOR YOU! 7. WHATEVER HE IS. (BMI). Carole TONIGHT YOU’RE MINE COMPLETELY YOU GIVE YOUR LOVE SO SWEETLY TONIGHT THE LIGHT OF LOVE IS IN YOUR EYES BUT WILL YOU LOVE ME TOMORROW? IS THIS A LASTING TREASURE? OR JUST A MOMENT’S PLEASURE? CAN I BELIEVE THE MAGIC OF YOUR SIGH WILL YOU STILL LOVE ME TOMORROW? TONIGHT WITH WORDS UNSPOKEN YOU SAY THAT I’M THE ONLY ONE BUT WILL MY HEART BE BROKEN? WHEN THE NIGHT MEETS THE MORNING SUN? I’D LIKE TO KNOW THAT YOUR LOVE IS LOVE I CAN BE SURE OF SO TELL ME NOW AND I WON’T ASK AGAIN WILL YOU STILL LOVE ME TOMORROW? WILL YOU STILL LOVE ME TOMORROW? 9. WILL YOU LOVE ME TOMORROW “Will You Love Me Tomorrow” by Gerry Goffin and Carole King. LET ME TELL YA NOW. I’M HIS. MY NAME IS CYNTHIA WEIL W-E-I-L-MY LYRICS WILL BE SLICK AND SMART REMINDING YOU OF LORENZ HART AND WE’LL BOTH SING WHEN WE TOP THE CHART HAPPY DAYS ARE HERE AGAIN Take me home! YOU WANT A SONNET. YOU SAY THAT I’M THE ONLY ONE Lead Shirelle Three Shirelles BUT WILL MY HEART BE BROKEN SHA-LA LUP SHUP...UP ON THE ROOF I GET AWAY FROM THE HUSTLING CROWDS OOH AND ALL THAT RAT-RACE NOISE WILL YOU STILL LOVE ME TOMORROW? DOWN IN THE STREET OOH . SHA-LA LUP SHUP SHA-LA LUP SHUP..... Jessie (Below) Jake AT NIGHT THE STARS PUT ON A SHOW FOR FREE AND DARLIN’ YOU CAN SHARE IT ALL WITH ME AHH AHH AHH AHH I KEEP A-TELLIN’ YOU RIGHT SMACK DAB IN THE MIDDLE OOH OF TOWN I’VE FOUND A PARADISE THAT’S OOH TROUBLE PROOF ..MAGIC OF YOUR SIGH WILL YOU STILL LOVE ME TOMORROW ..... Screen Gems-EMI Music Inc..I BELIEVE SO TELL ME NOW AND I WON’T ASK AGAIN AND I WON’T ASK AGAIN WILL YOU STILL LOVE ME TOMORROW? .. UP ON THE ROOF “Up on the Roof” by Gerry Goffin and Carole King.WILL MY HEART BE BROKEN TONIGHT YOU’RE MINE COMPLETELY WHEN THE NIGHT YOU GIVE YOUR LOVE SO SWEETLY .. IT’S PEACEFUL AS CAN BE AND THERE THE WORLD BELOW CAN’T BOTHER ME Lead Drifter Three Drifters LET ME TELL YOU NOW-WHEN I COME HOME FEELIN’ OOH TIRED AND BEAT I GO UP WHERE THE AIR IS FRESH OOH AND SWEET .STILL LOVE ME TOMORROW TONIGHT WITH WORDS UNSPOKEN . SHA-LA LUP SHUP IS LOVE I CAN BE SURE OF OR JUST A MOMENT’S PLEASURE? SHA-LA LUP SHUP. SHA-LA LUP SHUP SO TELL ME NOW CAN I BELIEVE THE MAGIC OF .. WILL YOU LOVE ME TOMORROW YOUR SIGH . SHA-LA LUP SHUP SHA-LA LUP SHUP.. Carly Hu Mueller slo De sha Aly Epstein.. SHA-LA LUP SHUP SHA-LA LUP SHUP. SHA-LA LUP SHUP SHA-LA LUP SHUP..WORDS UNSPOKEN YOU SAY THAT I’M THE ONLY ONE YOU SAY......LOVE ME TOMORROW? ... (BMI).. Ra ghes (Left) Ashley rieux.UP ON THE ROOF 17 .LOVE ME TOMORROW? 11. SHA-LA LUP SHUP SHA-LA LUP SHUP.WHEN THE NIGHT TONIGHT THE LIGHT OF LOVE IS IN MEETS THE MORNING SUN? YOUR EYES MEETS THE MORNING.. Blanchet.UP ON THE ROOF EVERYTHING IS ALL RIGHT . SHA-LA LUP SHUP ... BUT WILL YOU LOVE ME TOMORROW? MEETS THE MORNING SUN? BUT WILL YOU LOVE ME TOMORROW? I’D LIKE TO KNOW THAT YOUR LOVE IS THIS A LASTING TREASURE SHA-LA LUP SHUP.10.UP ON THE ROOF UP ON THE ROOF .UP ON THE ROOF UP ON THE ROOF ..UP ON THE ROOF shidra Scott..UP ON THE ROOF SO IF THIS WORLD STARTS OOH GETTING YOU DOWN THERE’S ROOM ENOUGH FOR TWO OOH UP ON THE ROOF .. Gerry WHEN THIS OLD WORLD STARTS GETTING ME DOWN AND PEOPLE ARE JUST TOO MUCH FOR ME TO FACE I’LL CLIMB WAY UP TO THE TOP OF THE STAIRS AND ALL MY CARES JUST DRIFT RIGHT INTO SPACE ON THE ROOF.. .UP ON THE ROOF WHOA..... SHA-LA LUP SHUP SHA-LA LUP SHUP.. COME ON.. BABY. DO THE LOCOMOTION I KNOW YOU’LL GET TO LIKE IT Drifter #2 Drifter #3 ‘CAUSE I CAN PLAY THIS HERE GUITAR IF YOU GIVE IT A CHANCE NOW! ‘CAUSE I CAN PLAY THIS HERE GUITAR COME ON. BUT THEY’RE DEAD WRONG. AND YOU AIN’T HAD ENOUGH TO EAT NO. Screen Gems-EMI Music Inc. Screen Gems-EMI Music Inc.12. I WON’T QUIT TILL I’M A STAR YOU GOTTA SWING YOUR HIPS NOW I WON’T QUIT TILL I’M A STAR OOH Drifter #1 ON BROADWAY! THE GLITTER RUBS RIGHT OFF AND YOU’RE NOWHERE THEY SAY THE NEON LIGHTS ARE BRIGHT ON BROADWAY . Drifter #1 Drifter #2 THEY SAY THAT I WON’T LAST TOO LONG ON BROADWAY I’LL CATCH A GREYHOUND BUS NO WAY FOR HOME... ON BROADWAY “On Broadway” by Barry Mann. Little Eva Ensemble I KNOW THEY ARE EVERYBODY’S DOING A BRAND THEY’RE DEAD WRONG NEW DANCE NOW I KNOW THEY ARE COME ON. Cynthia Weil. (BMI).ON BROADWAY All ON BROADWAY Drifter #1 Others THEY SAY THE WOMEN TREAT YOU FINE ON BROADWAY THEY SAY WOMEN TREAT YA ON BROADWAY BUT LOOKIN’ AT THEM JUST GIVES ME THE BLUES LOOKIN’ AT THEM WALKIN’ ON BROADWAY Drifter #2 ‘CAUSE HOW YA GONNA MAKE SOME TIME WHEN ALL YOU GOT IS ONE THIN DIME AND ONE THIN DIME WON’T EVEN SHINE YOUR SHOES ON BROADWAY AH OOH OOH AH OOH OOH WHOA OH WHOA OH ON BROADWAY ON BROADWAY Drifter #4 THEY SAY THAT I WON’T LAST TOO LONG ON BROADWAY 18 THEY SAY NO WAY a Larsen Jarrod Spector. DO BUT WHEN YOU’RE WALKIN’ DOWN THE STREET ON BROADWAY COME ON. COME ON. THEY SAY UH UH THEY CAN’T CHASE ME AWAY! NO WAY! 13. DO THE LOCOMOTION THEY SAY THERE’S ALWAYS MY GUITAR MY GUITAR MY LITTLE BABY SISTER OOH WAH OOH MAGIC IN THE AIR CAN DO IT WITH EASE . Jerry Leiber and Mike Stoller. Anik . THE LOCOMOTION “The Locomotion” by Gerry Goffin and Carole King.ON BROADWAY THEY SAY THAT I WON’T LAST TOO LONG IT’S EASIER THAN LEARNING OOH WAH OOH YOUR ABC’S Drifter #3 All SO COME ON.. (BMI). DO THEY SAY THAT I WON’T LAST TOO LONG OH! THE LOCOMOTION WITH ME Drifter #4 I WON’T QUIT TILL I’M A STAR COME ON. BABY. BABY COME ON. COME ON. BABY DO YOU NEVER CLOSE YOUR EYES ANYMORE WHEN I KISS YOUR LIPS DO THE LOCOMOTION 19 . I THINK YOU’VE All GOT THE KNACK GOT THE KNACK MOVE AROUND THE FLOOR IN A LOCO-MOTION NOW THAT YOU CAN DO IT. BABY. YOU’VE LOST THAT LOVIN’ FEELING SO COME ON. obo Mother Bertha Music (BMI).Harkness. LIKE A RAILROAD TRAIN NOW WITH ME! BABY. BABY Music Inc. NOW. (BMI). Little Eva Ensemble LET’S MAKE A CHAIN NOW COME ON. Screen THE LOCOMOTION WITH ME Gems-EMI Music Inc. Cynthia Weil and Phil Spector. COME ON. Clayton Douglas Ly ons. DO THE LOCOMOTION Barry SWING YOUR HIPS NOW COME ON. COME ON. I THINK YOU’VE WELL. BABY JUMP UP. BABY. choo. DO “You’ve Lost That Lovin’ Feeling” by Barry COME ON. BABY. DO THE LOCOMOTION DO IT NICE AND EASY. Robinso n Corneliou s. DO THE LOCOMOTION COME ON. Arbender J. JUMP BACK JUMP UP JUMP ON BACK WELL. EMI Blackwood COME ON. NICE AND EASY THERE’S NEVER BEEN A DANCE DON’T LOSE CONTROL DON’T LOSE CONTROL THAT’S SO EASY TO DO EASY TO DO. COME ON BABY. DO THE LOCOMOTION DO IT HOLDING HANDS IF YOU GET THE NOTION A CHUG-A CHUG-A MOTION DO THE LOCOMOTION COME ON. COME ON! A LITTLE BIT OF RHYTHM BIT OF RHYTHM AND A LOT OF SOUL LOT OF SOUL IT EVEN MAKES YOU HAPPY WHEN YOU’RE FEELING BLUE FEELING BLUE! All SO COME ON. COME ON. DO THE LOCOMOTION WITH ME! 14. DO Mann. choo. COME ON. choo Whoa COME ON. COME ON. James E. DO THE LOCOMOTION WITH ME Little Eva Everybody ready? Let’s catch that train! Choo. COME ON. COME ON COME ON. PLEASE DON’T. GONE. And I know exactly who should sing it.. BABY I KNOW IT-- Barry How long did that take--two hours? Cynthia The problem is the key. Ke vin Duda THOUGH I KNOW YOU’RE THE KIND OF BOY WHO ONLY WANTS TO RUN AROUND I’LL KEEP WAITING AND SOMEDAY DARLIN’ YOU’LL COME TO ME WHEN YOU WANT TO SETTLE DOWN OH SHOO-BE DOO-BE DOO-BE DOO-BE DOO WAP WAP SHOO-BE DOO-BE DOO-BE DOO-BE DOO WAP WAP ONE FINE DAY.. THAT LOVIN’ FEELING WHOA..BABY I NEED YOUR LOVE AHH I NEED YOUR LOVE BABY. WE’LL MEET ONCE MORE AND THEN YOU’LL WANT THE LOVE YOU THREW AWAY BEFORE Janelle & Three Girls ONE FINE DAY. YOU’RE GONNA WANT ME FOR YOUR GIRL Carole THOUGH I KNOW YOU’RE THE KIND OF BOY WHO ONLY WANTS TO RUN AROUND I’LL KEEP WAITING AND SOMEDAY DARLING YOU’LL COME TO ME WHEN YOU WANT TO SETTLE DOWN OH ... A LOVE YOU DON’T FIND EVERYDAY WHOA BABY DON’T SO DON’T.. BABY I KNOW IT-AHH YOU’VE LOST THAT LOVIN’ FEELIG WHOA. Righteous Brothers Ensemble YOU NEVER CLOSE YOUR EYES ANYMORE WHEN I KISS YOUR LIPS AND THERE’S NO TENDERNESS LIKE BEFORE IN YOUR FINGERTIPS YOU’RE TRYING HARD NOT TO SHOW IT AHH.GONE GONE...AHH.. YOU’RE GONNA WANT ME FOR YOUR GIRL ONE FINE DAY.AND THERE’S NO TENDERNESS LIKE BEFORE IN YOUR FINGERTIPS YOU’RE TRYING HARD NOT TO SHOW IT BABY.GONE.GONE.. ONE FINE DAY “One Fine Day” by Gerry Goffin and Carole King. BABY. It needs to be lower.GONE AND I CAN’T GO ON-CAN’T GO ON-WHOOOOOA HMM 20 15.. BABY BUT BABY.A LOVE. DON’T. (BMI)..FOR YOU! IF YOU WOULD ONLY LOVE ME LIKE YOU USED TO DO OOH.. DON’T...... Screen Gems-EMI Music Inc. GONE. WHOA OH OH OH AHH AHH AHH BABY.AHH BRING BACK THAT LOVIN’ FEELING THAT LOVE! CAUSE IT’S GONE. BABY..AHH SO BRING IT ON BACK SO BRING IT ON BACK BABY BRING BACK THAT LOVIN’ FEELING BRING BACK THAT LOVE WHOA. DON’T LET IT SLIP AWAY AHH.. YOU’LL LOOK AT ME AND YOU WILL KNOW OUR LOVE WAS MEANT TO BE YOU’RE GONNA WANT ME FOR YOUR GIRL ONE FINE DAY..TO DO! WE HAD A LOVE.....BABY BABY. I’D GET DOWN ON MY KNEES FOR YOU OOH. I BEG OF YOU PLEASE.. BUT BABY. THAT LOVIN’ FEELING YOU’VE LOST THAT LOVIN’ FEELING NOW IT’S GONE... YOU’RE GONNA WANT ME FOR YOU’RE GONNA WANT ME FOR YOUR GIRL YOUR GIRL THE ARMS I LONG FOR WILL OPEN WIDE AND YOU’LL BE PROUD TO HAVE ME WALKING RIGHT BY YOUR SIDE ONE FINE DAY.. THAT LOVE..BABY AHH. Three Girls Josh Davis. Rashidra Scot ke Ja ux ) Deslorie anchet / (Right Ashley Bl ssie Mueller Je Epstein. THESE CHAINS OF LOVE-WHOA. THESE CHAINS OF LOVE GOT A HOLD ON ME. YEAH WHOA.. Carole & Two Backup Singers CHAINS MY BABY’S GOT ME LOCKED UP IN CHAINS AND THEY AIN’T THE KIND THAT YOU CAN SEE WHOA. Alys t. YEAH CHAINS...ONE FINE DAY. YEAH GOT A HOLD ON ME.. THESE CHAINS OF LOVE-GOT A HOLD ON ME . Screen Gems-EMI Music Inc. I THINK YOU’RE FINE I’D LIKE TO LOVE YOU..DARLIN’ BY THESE CHAINS .BY THESE CHAINS MY BABY’S GOT ME MY BABY’S GOT ME LOCKED UP IN CHAINS LOCKED UP IN CHAINS AND THEY AIN’T THE KIND AND THEY AIN’T THE KIND THAT YOU CAN SEE THAT YOU CAN SEE WHOA. (BMI). AHH BUT DARLIN’ I’M IMPRISONED . YOU’RE GONNA WANT ME FOR YOUR GIRL YOU’RE GONNA WANT ME FOR YOUR GIRL YOU’RE GONNA WANT ME FOR YOUR GIRL 16. Carly Hug (Above) . WE’LL MEET ONCE MORE AND THEN YOU’LL WANT THE LOVE YOU THREW AWAY BEFORE ONE FINE DAY. THESE CHAINS OF LOVE GOT A HOLD ON ME. THESE CHAINS OF LOVE WON’T LE T ME BE. YEAH Carole NOW BELIEVE ME WHEN I TELL YOU I THINK YOU’RE FINE Backup Singers ha hes. THESE CHAINS OF LOVE WHOA. CHAINS “Chains” by Gerry Goffin and Carole King. WELL I CAN’T BREAK AWAY FROM THESE CHAINS I CAN’T RUN AROUND CAUSE I’M NOT FREE WHOA..ME 21 . Screen Gems-EMI Music Inc. Both AND WISHING ON THE STARS UP ABOVE Barry Cynthia AND BEING SO IN LOVE LIKE WALKING IN THE RAIN LIKE WALKING IN THE RAIN AND WISHING ON THE STARS AND WISHING ON THE STARS AND BEING SO IN LOVE (They kiss) 18..17. I’LL KISS HIM AND WHEN HE LEAVES ME. (BMI). Maybe that’ll hold you. Cynthia Weil and Phil Spector. I’ll move in with you. I’LL MEET HER SHE’LL BE KIND OF SHY AND REAL GOOD LOOKING TOO AND I’LL BE CERTAIN SHE’S MY GIRL BY THE THINGS SHE’LL LIKE TO DO LIKE WALKING IN THE RAIN AND WISHING ON THE STARS UP ABOVE AND BEING SO IN LOVE. Cynthia Ok. obo Mother Bertha Music (BMI). Cynthia It isn’t done. It’s like something out of a Balzac novel. Marilyn THE LOCAL ROCK GROUP DOWN THE STREET IS TRYING HARD TO LEARN THEIR SONG Barry Move in with me. I’LL MISS HIM Barry Cynthia I WON’T REALLY CARE Both AND I’LL KNOW IT’S GONNA BE ALRIGHT CAUSE WE GOT SO MUCH WE SHARE Barry LIKE WALKING IN THE RAIN 22 Cynthia OOH Jarrod Spector. (BMI).. Anika Larsen THOUGH SOMETIMES WE’LL FIGHT . Barry Then marry me. PLEASANT VALLEY SUNDAY “Pleasant Valley Sunday” by Gerry Goffin and Carole King. WHOA. OH. Barry I WANT HER AND I NEED HER AND SOMEDAY. Screen Gems-EMI Music Inc. At least move in with me. EMI Blackwood Music Inc. WHOA. WALKING IN THE RAIN “Walking in the Rain” by Barry Mann. SOME WAY. Barry Not for long. Cynthia WHEN HE’S NEAR ME. ALL THE SAME AND NO ONE SEEMS TO CARE.... Barry IN THIS DIRTY OLD PART OF THE CITY WHERE THE SUN REFUSE TO SHINE PEOPLE TELL ME THERE AIN’T NO USE IN TRYIN’ MY LITTLE GIRL YOU’RE SO YOUNG AND PRETTY AND ONE THING I KNOW IS TRUE YOU’RE GONNA DIE BEFORE YOUR TIME IS DUE-- Anika Larsen.ROOM ANOTHER PLEASANT VALLEY SUNDAY ANOTHER PLEASANT VALLEY SUNDAY HERE IN STATUS SYMBOL LAND HERE IN STATUS SYMBOL LAND MOTHERS COMPLAIN ABOUT HOW HARD LIFE IS OOOH.V...SUN VALLEY SUN CHARCOAL BURNING EVERYWHERE CHARCOAL BURNING EVERYWHERE ROWS OF HOUSES THAT ARE ALL THE SAME .. WE GOTTA GET OUT OF THIS PLACE “We Gotta Get Out of This Place” by Barry Mann and Cynthia Weil. GREEN HE’S SO SERENE.. Jak e Epstein.. BUP BUP BA BAH ANOTHER PLEASANT VALLEY SUNDAY HERE IN STATUS SYMBOL LAND HERE IN STATUS SYMBOL LAND 19. Gerry SEE MRS.. (BMI). Screen Gems-EMI Music Inc.... GRAY SHE’S PROUD TODAY BECAUSE HER ROSES ARE IN BLOOM AND MR.HOW HARD LIFE IS AND THE KIDS JUST DON’T UNDERSTAND.. BUP BUP BA BAH BA DOP BOP BA BA BA BAH CREATURE COMFORT GOALS BUP BUP BA BAH BA DOP BOP THEY ONLY NUMB MY SOUL BA BA BA BAH AND MAKE IT HARD FOR ME TO SEE BUP BUP BA BAH BA DOP BOP BA BA BA BA BA MY THOUGHTS ALL SEEM TO STRAY BUP BUP BA BAH BA DOP BOP TO PLACES FAR AWAY BUP BUP BA BAH I NEED A CHANGE OF SCENERY.BLOOM .THEY SERENADE THE WEEKEND SQUIRE WHO JUST CAME OUT TO MOW THE LAWN Marilyn Ensemble ANOTHER PLEASANT VALLEY SUNDAY AH.. HE’S GOT A T.. BABY TURNIN’ GRAY HE’S BEEN WORKIN’ AND SLAVIN’ HIS LIFE AWAY (EVERY DAY) HE’S BEEN WORKIN’ YEAH! HE’S BEEN WORKIN’ YEAH HE’S BEEN WORKIN’ WORKIN’ WORKIN’ WE GOTTA GET OUT OF THIS PLACE IF IT’S THE LAST THING WE EVER DO WE GOTTA GET OUT OF THIS PLACE 23 . IN EVERY ROOM . Jarrod Spector I CAN’T TAKE IT NO MORE WHAT ARE WE WAITIN’ FOR? WE GOTTA GET OUT OF THIS PLACE IF IT’S THE LAST THING WE EVER DO WE GOTTA GET OUT OF THIS PLACE GIRL THERE’S A BETTER LIFE FOR ME AND YOU YOU SEE MY DADDY IN BED A DYIN’ YOU SEE HIS HAIR.. Colgems-EMI Music Inc. UPTOWN UPTOWN HE KNOWS THAT I’LL BE STAND-IN’ BY UPTOWN AND WHEN I TAKE HIS HAND. NOW IT’S TOO LATE THOUGH WE REALLY DID TRY TO MAKE IT SOMETHING INSIDE HAS DIED AND I CAN’T HIDE AND I JUST CAN’T FAKE IT OH. YOU LOOK SO UNHAPPY AND I FEEL LIKE A FOOL BUT IT’S TOO LATE. IT’S TOO LATE “It’s Too Late” by Carole King and Toni Stern. (ASCAP). NOW IT’S TOO LATE THOUGH WE REALLY DID TRY TO MAKE IT SOMETHING INSIDE HAS DIED AND I CAN’T HIDE Singers AND I JUST CAN’T FAKE IT UPTOWN IT’S TOO LATE BABY BUT THEN HE COMES UPTOWN EACH EVENIN’ TO MY TENEMENT UPTOWN WHERE FOLKS DON’T HAVE UPTOWN THERE WILL BE GOOD TIMES AGAIN FOR ME AND YOU TO PAY MUCH RENT AND WHEN HE’S THERE WITH ME OOH BUT WE JUST CAN’T STAY TOGETHER. BABY. HE CAN SEE THAT HE’S EVERYTHING HE CAN SEE EVERYTHING THEN HE’S TALL. THERE’S NO MAN WHO CAN PUT HIM DOWN OOH THE WORLD IS SWEET IT’S AT HIS FEET WHEN HE’S UP TOWN THE WORLD IS SWEET AHH IT’S AT HIS FEET WHEN HE’S UP TOWN 21. HE’S A KING DOWN-TOWN. (ASCAP).GIRL THERE’S A BETTER LIFE FOR ME AND YOU GIRL THERE’S A BETTER LIFE FOR ME AND YOU 20. Singer HE GETS UP EACH MORNING AND HE GOES DOWNTOWN WHERE EVERYONE’S HIS BOSS AND HE’S LOST IN AN ANGRY LAND HE’S A LITTLE MAN Singer Backup BE NO DENYIN’ ONE OF US IS CHANGIN’ OR MAYBE WE JUST STOPPED TRYIN’ DON’T YOU FEEL IT. Colgems-EMI Music Inc. HE’S JUST ONE OF A MIL-LION GUYS HE DON’T GET NO BREAKS AND HE TAKES ALL THEY GOT TO GIVE CAUSE HE’S GOTTA LIVE BUT THEN HE COMES UP-TOWN WHERE HE CAN HOLD HIS HEAD UP HIGH. NO NO IT USED TO BE SO EASY LIVIN’ HERE WITH YOU YOU WERE LIGHT AND BREEZY AND I KNEW JUST WHAT TO DO NOW. UPTOWN “Uptown” by Barry Mann and Cynthia Weil Screen Gems-EMI Music Inc. HE DON’T CRAWL. Carole STAYED IN BED ALL MORNIN’ JUST TO PASS THE TIME THERE’S SOMETHING WRONG HERE THERE CAN Jessie Mueller 24 IT’S TOO LATE BABY IT’S TOO LATE NOW DARLING IT’S TOO LATE BABY IT’S TOO LATE 22. Carole WHEN YOU’RE DOWN AND TROUBLED AND YOU NEED SOME LOVING CARE . (BMI). YOU’VE GOT A FRIEND “You’ve Got a Friend” by Carole King. NOW IT’S TOO LATE THOUGH WE REALLY DID TRY TO MAKE IT SOMETHING INSIDE HAS DIED AND I CAN’T HIDE AND I JUST CAN’T FAKE IT AND IT’S TOO LATE BABY. TOO STILL I’M GLAD FOR WHAT WE HAD AND HOW I ONCE LOVED YOU AND IT’S TOO LATE BABY. . Anika Larsen. NOTHING IS GOING RIGHT CLOSE YOUR EYES AND THINK OF ME AND SOON I WILL BE THERE TO BRIGHTEN UP EVEN YOUR DARKEST NIGHT YOU JUST CALL OUT MY NAME AND YOU KNOW WHERE EVER I AM I’LL COME RUNNING TO SEE YOU AGAIN Carole & Barry WINTER.AND NOTHING. WHAT YOU’VE DONE TO ME . YEAH.DONE TO ME YOU MAKE ME FEEL SO GOOD INSIDE . Jarrod THEY’LL TAKE YOUR SOUL IF YOU LET THEM Carole OH.WANNA BE YOU MAKE ME FEEL SO ALIVE 25 . Screen Gems-EMI Music Inc. Carole Three Backup Singers LOOKIN’ OUT ON THE MORNIN’ RAIN I USED TO FEEL UNINSPIRED AH-OOH AND WHEN I KNEW I’D HAVE TO FACE ANOTHER DAY AH-OOH LORD. Carole King and Gerald Wexler. AND DESERT YOU Jeb Brown. (YOU MAKE ME FEEL LIKE) A NATURAL WOMAN “(You Make Me Feel Like a) Natural Woman” by Gerry Goffin. OH.. LIFE WAS SO UNKIND BUT YOUR LOVE WAS THE KEY TO MY PEACE OF MIND Carole & Three Backup Singers ‘CAUSE YOU MAKE ME FEEL YOU MAKE ME FEEL YOU MAKE ME FEEL LIKE A NATURAL WOMAN Spector. (BMI). SPRING. BABY. IT MADE ME FEEL SO TIRED AH-OOH BEFORE THE DAY I MET YOU. BUT DON’T YOU LET THEM All YOU JUST CALL OUT MY NAME AND YOU KNOW WHEREVER I AM I’LL COME RUNNIN’. SUMMER OR FALL ALL YOU HAVE TO DO IS CALL AND I’LL BE THERE. ALL YOU HAVE TO DO IS CALL Carole AND I’LL BE THERE. SPRING. RUNNIN’. Cynthia & Barry THEY’LL HURT YOU All Donnie YES. YEAH.. Jessie Mueller WHEN MY SOUL WAS IN THE LOST-AND-FOUND YOU CAME ALONG TO CLAIM IT I DIDN’T KNOW JUST WHAT WAS WRONG WITH ME TILL YOUR KISS HELPED ME NAME IT NOW I’M NO LONGER DOUBTFUL OF WHAT I’M LIVING FOR ‘CAUSE IF I MAKE YOU HAPPY I DON’T NEED TO DO MORE YOU MAKE ME FEEL YOU MAKE ME FEEL YOU MAKE ME FEEL LIKE A NATURAL WOMAN Carole Three Backup Singers OH. TO SEE YOU AGAIN WINTER.. SUMMER OR FALL.GOOD INSIDE AND I JUST WANNA BE CLOSE TO YOU . YES I’LL BE THERE Carole YOU’VE GOT A FRIEND 23. YES I WILL YOU’VE GOT A FRIEND Cynthia & Barry NOW AIN’T IT GOOD TO KNOW THAT YOU’VE GOT A FRIEND WHEN PEOPLE CAN BE SO COLD Carole... WHEN I SEE YOUR FACE MELLOW AS THE MONTH OF MAY OH. WHY DO I? AH OOH SO BEAUTIFUL “I Feel The Earth Move” by Carole King Colgems-EMI Music. (ASCAP). BABY. BUT WE CAN ONLY TRY THAT YOU’RE BEAUTIFUL AS YOU FEEL OH! YOU’RE GONNA FIND. BEAUTIFUL “Beautiful” by Carole King. YES. YOU WILL THAT YOU’RE BEAUTIFUL YOU’RE BEAUTIFUL SO BEAUTIFUL AS YOU FEEL YOU’VE GOT TO GET UP EVERY MORNING AH OOH WITH A SMILE ON YOUR FACE AND SHOW THE WORLD THE LOVE IN YOUR HEART SHOW ALL THE LOVE THEN PEOPLE GONNA TREAT YOU BETTER SO BEAUTIFUL SO BEAUTIFUL YOU’RE BEAUTIFUL AHH AHH AHH AHH 25. DARLING. Carole I FEEL THE EARTH MOVE UNDER MY FEET I FEEL THE SKY TUMBLING DOWN I FEEL MY HEART START TO TREMBLING WHENEVER YOU’RE AROUND OOH. YES. MAYBE THEN PEOPLE GONNA TREAT YOU BETTER LOVE CAN END THE MADNESS YOU’RE GONNA FIND.Carole & Three Backup Singers Carole YOU MAKE ME FEEL YOU MAKE ME FEEL YOU MAKE ME FEEL LIKE A NATURAL WOMAN YOU’VE GOT TO GET UP EVERY OOH OOH MORNING WITH A SMILE ON YOUR FACE OOH OOH AND SHOW THE WORLD ALL THE LOVE IN YOUR HEART SHOW ALL THE LOVE THEN PEOPLE GONNA TREAT YOU BETTER OOH OOH YOU’RE GONNA FIND. I FEEL THE EARTH MOVE Carole WAITING AT THE STATION WITH A WORKDAY WIND A-BLOWING I GOT NOTHING TO DO BUT WATCH THE PASSERS-BY GROWING AND THEY DON’T SEE IT SHOWING. OH. Ensemble I HAVE OFTEN ASKED MYSELF THE REASON FOR THE SADNESS YOU’VE GOT TO GET UP EVERY MORNING IN A WORLD WHERE TEARS ARE WITH A SMILE ON YOUR FACE JUST A LULLABYE OOH OOH OOH AND SHOW THE WORLD ALL THE LOVE IN YOUR HEART IF THERE’S ANY ANSWER. YOU WILL MAYBE NOT. TUMBLING DOWN I FEEL MY HEART START TO TREMBLING WHENEVER YOU’RE AROUND Carole OH. (ASCAP). DARLING. Inc. WHEN YOU’RE NEAR ME AND YOU TENDERLY CALL MY NAME I KNOW THAT MY EMOTIONS ARE SOMETHING I JUST CAN’T TAME 26 Jessie Mueller Carole & Company I FEEL THE EARTH MOVE UNDER MY FEET I FEEL THE SKY TUMBLING DOWN I FEEL THE EARTH MOVE UNDER MY FEET I FEEL THE SKY TUMBLING DOWN A TUMBLING DOWN A TUMBLING DOWN A TUMBLING DOWN COME TUMBLING DOWN! . I CAN’T STAND IT WHEN YOU LOOK AT ME THAT WAY Carole & Company I FEEL THE EARTH MOVE UNDER MY FEET I FEEL THE SKY TUMBLING DOWN. YES. Colgems-EMI Music Inc. YOU WILL THAT YOU’RE BEAUTIFUL AS YOU FEEL YOU’RE SO BEAUTIFUL OOH MMMMM Carole A NATURAL WOMAN 24. Librarian Production Stage Manager: PETER HANSON Beautiful Publicity: O&M Co. ELISSA KLINE. Connie Kirch. NYC Associate Album Producers: STEVE NORMAN and GREG BRUNSWICK Orchestrations. Christine Russell. Jane Read Martin. Laurie Soriano And Gerry Goffin. Dan Fortune. Package Design: STEPHANIE LAYTON Cover Artwork: SERINO/COYNE Cover Photo and Production Photos: JOAN MARCUS Historical Photos provided by CYNTHIA WEIL and BARRY MANN. STEVE SIDWELL and BILLY JAY STEIN Executive Producer: KURT DEUTSCH Recorded by JOEL MOSS Edited and Mixed by BILLY JAY STEIN and JASON HOWLAND Mastered by RYAN SMITH at Sterling Sound. Vocal and Music Arrangements: STEVE SIDWELL Music Supervision. Additional Vocal and Music Arrangements: JASON HOWLAND Synthesizer and Computer Programming: HIRO IIDA Music Coordinator: JOHN MILLER Music Preparation by JOANN KANE MUSIC. NYC Special Thanks Martin Bandier. Sherry Kondor. 2014 at MSR Studios. NYC Pro Tools Engineer: DAN FYFE Assistant Engineer: TIM KNOWLTON Mixed at Strange Cranium Studios. Katie Riegel. Carole King. THE CAROLE KING FAMILY ARCHIVES. Kurt Deutsch.Produced for Records by JASON HOWLAND. THE ODE SOUNDS & VISUALS ARCHIVE and THE SONY MUSIC ARCHIVES Recorded February 16-17 and 20. Mark Bennett. Barry Mann. RUSSELL BARTMUS. Mike Bosner.COM /GHOSTLIGHTRECORDS @SHKBOOM Carole King 27 . Cynthia Weil GHOSTLIGHTRECORDS. New York. LLC. under exclusive license to Ghostlight Records. Unauthorized duplication is a violation of applicable laws. Inc. Ghostlight logo is a trademark of Sh-K-Boom Records. Distributed by Razor & Tie Direct. 630 Ninth Avenue. NY 10036.Ghostlight Records ℗© 2014 Beautiful on Broadway LLC. All Rights Reserved. ℗2014 Photographer: Jim McCrary 28 . #407. Jessie Mueller (by Nathan Johnson) Carole King / Courtesy of the Ode Sounds & Visuals Archive ©1971.